by Steve | Dec 27, 2012 | Bookbinding, Scrap Books |
I’ve written in the past about what I affectionately call Scrapbooks. If you missed that posting in the past, Scrapbooks are books that I bind from the scrap material that is left over from other projects and generally, they tend to be on the small side. A few days ago, I found a long, skinny piece of red oak that was about 3″ X 24″. My first impulse was to cut it up into several pieces and make three of four scrapbooks, but then I stopped and thought about making a book that was long and skinny instead.
I finished the covers with several coats of milk paint in several different colors, and then create a distressed finish by sanding through the paint. After I finished the covers, I felt that they needed something more, so I made a band of polymer clay faces to attach to the cover to give it a more dimensional feel. Eight signatures of 200gm Artistico Fabriano watercolor paper were sewn to a leather spine with 4-ply Irish Linen thread which was then sewn to the covers. Here are some images of the finished journal, you can click on the images to view them in more detail.
Long and Skinny, Front View
Long and Skinny, Sewing Detail
Long and Skinny, Back View
by Steve | Apr 30, 2012 | Bookbinding |
It started innocently enough. A few weeks ago while running through the weekly list of spelling words with my son I doodled a cockroach in the margins of the page. A week later it was a picture of a dinosaur and after that my son expected a drawing. A few weeks later, I got home late and didn’t have a change to draw anything so the spelling list went back to school with nothing but list of words.
The next day, I got a note from the teacher explaining that she couldn’t accept my son’s homework because the drawing was missing and that made it incomplete. I had to break out the watercolors and whip something up so he’d get credit for his assignment. And just when I thought he days of the teacher sending notes home about me was over…
by Steve | Oct 28, 2011 | Bookbinding |
Today’s class was Carla Sonheim’s Blobs & Sidewalk Cracks. If you don’t know Carls, she’s an amazing artist who paints wonderful animals that are vibrant, full of life and have awesome character. Carla “finds” her animals in peeling paint, blobs of oil on the ground, cracks in the sidewalk and in random marks. She loosened us up by starting with some contour drawings and once we were thinking in terms of the line, we went outside and wandered around with some paper looking for cracks and blobs.
We drew out what we found on the paper and then went back to the classroom to flesh them out into pen drawings of animals. I ended up with a seal. Next, Carla gave us some cards that she had painted blobs on and our task was to turn those into creatures as well. The best part of the class came after lunch when she demonstrated how she creates her depth of color through layering her watercolors. We then tried her techniques ourselves and created our own colored blobs to work on, I ended up with some Cookie Monster looking thing, a mutant hedgehog and a green shark.
The night wrapped up with the vendor event, Carla Sonheim, Dan Essig, Traci Bunkers and others were selling their art and other wares. I managed to get downtown before the even and headed to one of my Port Townsend favorites the Hanazono Asian Noodle House. I had a wonderful bowl of Udon but there was strangeness at the noodle house. Toes were everywhere — apparently these creepy toes were the halloween decorations, it was just weird.
by Steve | Oct 15, 2011 | Bookbinding |
As I was looking at the calendar today, I suddenly realized the JournalFest backs right up against Halloween. While I’ve made a few things to trade already, I decided to make a few more cahiers to celebrate Halloween. Since JournalFest takes place in the Pacific Northwest, the logical choice seen to be Ravens & Skulls.
by Steve | Aug 21, 2011 | Bookbinding |
Over the past week I’ve been putting together all the ingredients for some small flat backs. The book blocks have been sew and glued up and I sliced up the paste paper I made a couple of weeks ago and used it to cover the cases that I’ll be putting the book blocks in. I’m going to add headbands to the book blocks but because these are meant to be lightweight journals I’m just going to use pre-made headbands that will just be glued in. Once that’s done, I’ll add the endpapers and then I’ll case the book blocks in. The photo below shows most of the finished parts before assembly.
by Steve | Aug 7, 2011 | Bookbinding |
I’ve got several sheets of paste paper and paper I’ve applied color to with acrylics sitting around and I’ve been trying to decide what to do with it. Making some flatbacks seemed like a good idea, the paper will be used on the covers. For those of you who may not know what a flatback is, jut think of a standard hard cover book. While I use wood, metal and polymer clay for most of the books I make but I do actually like this form and I make them all the time.
These will be about 5 1/2″ x 4″ and I’ve been assembling the book blocks over the past couple of days. The photograph below shows one of the signature in the piercing cradle. This get done very quickly because the layout is fairly simple.
Once they’re all pierced, the next step is to sew the signatures into book blocks. These are five signatures consisting of five sheets each. I’m using Wausau 57 Lb. Vellum Bristol and sewing them onto linen tapes — fairly “traditional”. Here you can see the final stages of a book block being sewn together.
It took me about three hours to pump out ten of them. Here are the book blocks awaiting glue up.
