Upcoming Class: The Sculptural Journal

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I’ll be teaching a class on creating a polymer clay art journal at Jerry’s Artarama in Tempe on Saturday, September 14th from 12:00 PM – 5:00 PM and Saturday, October 12th from 12:00 PM – 5:00 PM. In this class you will be creating a unique one of a kind 3” X 5” art journal using Polyform Super Sculpy. You’ll learn how to properly condition the clay for use, utilize simple objects to create surface textures and then create micro-sculptures or use mold made elements to provide the main elements for your journal. You’ll finish the covers of your journal by adding character and a patina of age by painting them with Matisse Acrylics and create a book block for your journal by sewing it to a leather spine, and then attaching the covers.

The class is $65.00 and includes all supplies except for two sheets of Fabriano Artistio paper which students will be required bring/purchase. You can find more information by clicking here.

A Visual Journey

Last week a friend of my talked me into talking a class with her at Art Unraveled an annual art happening that thames place here in Phoenix each year. I agreed because the instructor was a friend whose work I admire and envy, Lisa Cheney. Lisa chronicles many things in her journals including her dreams and I could happily sit there and page through her dream journals for hours on end. The detail is amazing and the intricate detail creates a sense of intimacy that just pulls you in.

THis class wasn’t about her dream journals but about chronicling your travel experiences. She discussed her process for journaling while traveling but I found most of the value of the class in the different techniques she used to build layers of color in her images. As part of the class we went outside to draw some scenery. Lisa likes to break her spreads up into a major image and a couple of minor supporting images and that was part of what we were trying to do when we moved outside. I drew a couple of scenes, nothing special, what you would expect on the patio of an Embassy Suites.

I had actual met Lisa for the first time about two years ago and in January of 2012 we were talking about a dream she had and wanted to journal about. She asked me to photographer in a specific pose so that she could use the photo to draw from and I happily agreed. You can see that journal page on her blog, “A Visual Journey,” It’s the image with her hands on her face. I decided to incorporate that image into one of my journal pages and I decided to give her the Renaissance treatment, gold leaf halo and all, here’s a scan, enjoy.

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The Octopus Journal

Generally, when I make a book from polymer clay, I use translucent clay or Super Sculpy. Once the journal is done, it’s painted with acrylic paint and over the life of the journal the paint wears away on the high spots revealing the clay underneath. On most journals, the result is a nice worn look, it almost creates a patina. Lately though, I’ve been experimenting with using colored clay to create sculptural journals and here’s a couple of shots at my first attempt The Octopus Journal it was created using Red Pearl clay over a base of Pearl clay. As I worked with the clay and the layer of Red Pearl became thinner and thinner, the sculpture began to take on a luminescent quality. Comments are welcome.

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Upcoming Class: The Inlaid Journal

The Inlaid Journal

 

I’ll be teaching the Inlaid Journal on August 10th at the Occasional Artist in Glendale, AZ. We’ll be making a 3″ X 5″ red oak book with walnut or cherry inlays, a book block sewn onto a leather spine and a brass closure. I’ll be teaching how to enhance the wood grain with Milk Paint, create the inlay, and sew the book block onto a leather spine. The kit provided by the instructor will include the wood covers, plugs for creating the inlay, the leather and the brass closure. Extra kits can be purchased from the instructor for $8.00. The class is $50.00 and  runs from 2:00 PM to 5:00 PM. You can reserve a spot by calling the Occasional Artist at (623) 847-2215.

Two New Pocket Journals

Here are a couple of small pocket journal that were fabricated using the blanks I cut up a could of weeks ago.

Look Into the Eyeball: Fiddleback Maple, 200 gm Fabriano Artistico, Leather, 4-Ply Irish Linen, Ice Resin. 2 1/4″ X 3 1/4″.


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The Book of Three Skulls. Walnut, Polymer Clay, 200gm Fabriano Artistico, 4 Ply Irish Linen, Brass, Milk Paint. 1 3/4″ x 2 3/4″

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