Generally, when I make a book from polymer clay, I use translucent clay or Super Sculpy. Once the journal is done, it’s painted with acrylic paint and over the life of the journal the paint wears away on the high spots revealing the clay underneath. On most journals, the result is a nice worn look, it almost creates a patina. Lately though, I’ve been experimenting with using colored clay to create sculptural journals and here’s a couple of shots at my first attempt The Octopus Journal it was created using Red Pearl clay over a base of Pearl clay. As I worked with the clay and the layer of Red Pearl became thinner and thinner, the sculpture began to take on a luminescent quality. Comments are welcome.
Here are a couple of small pocket journal that were fabricated using the blanks I cut up a could of weeks ago.
Look Into the Eyeball: Fiddleback Maple, 200 gm Fabriano Artistico, Leather, 4-Ply Irish Linen, Ice Resin. 2 1/4″ X 3 1/4″.
The Book of Three Skulls. Walnut, Polymer Clay, 200gm Fabriano Artistico, 4 Ply Irish Linen, Brass, Milk Paint. 1 3/4″ x 2 3/4″
I recently finished a new pocket journal inspired by the science fiction classic The Fifth Element. The journal is constructed from polymer clay, the front of the journal features a sculpture of a Mangalore and the four stones. The back of the journal features an image transfer of a Mondoshawan created with liquid polymer clay. The book block is constructed from 300 gm Fabriano Artistico bound with a coptic stitch.
I was searching for a texture plate the other day and while I was rifling around in one of the drawers that I keep molds in, I stumbled across one of those silicone ice molds. Someone gave it to me at a birthday party as a gift, I think was the sentiment was something like “Ha! you’re getting older now, here’s a mold to make ice dentures”. I threw it in a pile with all the other silly cliche presents and apparently it got tossed in with all the other molds.
I pulled the mold out of the drawer and decided to make something out of it. I molded up a few sets of heath using some Pearl Premo and Super Sculpey. They sat around uncured for a few days while I though about exactly what to make out of them and for some reason, what emerged was The Book of Tasty Peas.
Here’s a shot of the from cover.
It will be time to put the holiday decorations soon and I don’t want to kill myself climbing over a ton of junk while I do it so I thought tidying up the garage might be a good idea. I found a piece of red oak about 3″ X 24″ while I was cleaning up, seemed like a good excuse to bind a new book. The book show below is approximately 3″ X 10″ and contains 8 signatures of 200gm Fabriano Artistico. The wood was finished with several coats of milk paint in different colors and then distressed using a sander. The signatures are sewn to the leather spine with 4-ply Irish Linen using a long stitch. As I was getting ready to bind it all up, I thought it was a little blah so I added a band of polymer clay faces across the front cover. Here are the photos…
I’ve been traveling for my Clark Kent job so I hadn’t had time to complete the third in a series of three books I had been working on until today. I used wood to create the covers for the first two in this series but on this one, I chose polymer clay simply because cutting up tiny pieces of wood on a table saw presents some safety issues. The coverall size of this book is small, it’s 1 1/2″ X 2″. Not too much too say about it you can just look at the photos, the front has a contrasting stripe of black polymer clay and the back has some copper studs.