I happy to announce that I’ve been selected as one of the 21 artists that will be teaching in the Spring 2015 Edition of the 21 Secrets Art Journaling Workshop! 21 Secrets is a wonderful online site for classes created by Hali Karla and Connie Hozvicka at Dirty Footprints Studio.
I’ll be teaching a a new online class title “Bound to Journal.” My journaling is a conglomeration of intentional art, random thoughts, ideas in work and the overflowing debris of my brain. In this workshop, I’ll take you through my process from end-to-end. We’ll start by taking a tour through one or two of my journals and my journaling bag. Next, I’ll teach you how to bind a twelve-page folio journal which when completed, can be bound into a larger book. I’ll focus on journaling with some materials that are typically used for creating urban art.
I often incorporate photographs in my journals so I’ll demonstrate some simple techniques for taking control of the camera in your phone and taking great photos will allow you to document events and create distressed or distorted images. Finally, we’ll tie the techniques I’ve show you together will create a series of rich pages that will speak to who you are.
For more information on the Spring 2015 21 Secrets Art Journaling Workshop. Click Here.
I’ve been teaching the Coptic stitch a lot lately and I’ve been thinking about how to teach it better. When it comes time to teach the stitch during the class everybody gathers around to watch and that’s where the problem is. Everything is too small. with a half-dozed or more people gathered around looking over my shoulder it’s hard to see what’s going on. I’ve tried doing things like sewing with two different colored threads but at the end of the day, nobody can get close enough to see what’s going on during the demo.
I’ve decided to scale up and build a demo rig so everybody can see what’s happening during the demo. I just started working on it today and I hope to have it done soon but here’s what I’ve got so far, I hope to have it done by the end of the week.
Art Unraveled has been going on for the past week or so and it’s been a great event. This past Saturday the Shopping Extravaganza took place and a wide variety of artists and vendors where there selling everything from handmade journals to stencils. Classes start late on Saturday so everyone has plenty of time to shop and I had just enough time to check everything out before teaching my class, “Dug from the Ruins: A Polymer Clay Art Journal”.
Today, I taught my class titled “Worn by Time: A Coptic Bound Art Journal.” In this class, students use Milk Paint to transform ordinary oak boards into a 3″ x 5″ journal. The morning was spent drilling holes for the binding, building up layers of color using Milk Paint and the distressing the surface to reveal those layers and simulate the look of wear and age. For many, the Coptic Sewing is hard to learn so the rest of the day was reserved for sewing demonstrations and hands on help with the binding.
Students finished their books by setting a small image into a bezel and attaching that to the cover and then installing a simple closure that was fabricated from brass. It was a great group of students and their books turned out exceptionally well. I hope to see them again in the future at other events.
A student distresses the covers of their journal in the “Worn By Time” class.
Art Unraveled kicks off in Phoenix tonight with a meet the artist event. If you haven’t attended, Art Unraveled is a week long art event that features classes taught by internationally known artists. There are over 125 workshops that cover a broad range of media like painting, book making, jewelry making, metal work, journaling, fiber/fabric arts, sculpting and assemblage.
I’ll be teaching three classes at Art Unraveled this year, Dug from the Ruins, a journal created from polymer clay; Work by Time, a coptic bound art journal with wood covers and the Inlaid Wood journal wood covers with small circular inlay.
If you’re attending Art Unraveled this year, stop by and say hello.
Dug from the Ruins
Worn by Time
The Inlaid Book
It’s graduation time again and a family friend, someone we’ve know since he was a wee tot has managed to survive the elementary school system and go over the wall. He’s a talented drummer and over the past couple of years he’s started to journal sporadically with a goal of doing it regularly. I thought it might be nice to bind a journal for him; maybe he’ll go to it more regularly if it’s more meaningful than an off the shelf sketchbook.
Zebrawood, Chata Kok, Maple Burl, Brass, Leather, 300 gm Fabraino Artistico 4-ply Polyester Thread
I went on a bookbinding binge the past few days. I finished up a few books I had started and set aside and bound several new books as well. In all, I completed about ten in the span of three or four days. I’ve been focusing on wood books lately because I acquired some more figured walnut and the chaotic pattern of the grain is very compelling. Here are a few examples of what I’ve been working on.
I created this for fellow artist Lisa Cheney. Figured Walnut, Milk paint, Twine, Fabriano Artistico, Irish Linen Thread.
Alder, Rosewood, Fabriano Artistico, Leather, Stone beads, Irish Linen Thread.
Maple Burl, Canson Edition, Irish Linen Thread, Leather.